During his adventures on and around the train tracks, impressions emerge, which Guido van Amelsfoort, in his studio, transforms into sculptures. But the images may also cause him to develop a new sketch. By repetitively presenting the same figures in a piece of graffiti, drawing, sculpture and/or photograph, they become recognizable. The variation in texture and material lends them a certain character; they become ‘released images’, created to enhance the spread of ‘smilerism’.