Painting is how I make sense of the world. The world doesn’t exist as a single, fixed reality; it shifts, solidifies in one moment, then surges unpredictably the next. When I paint, I try to capture the way the world reveals itself to me. Sometimes, I feel like a quiet observer, watching from a distance, trying to grasp fleeting impressions. Other times, unnoticed moments flash with an intensity that pulls me in completely, as if revealing a hidden force beneath the surface – one that is both overwhelming and irresistible.
For me, painting isn’t about defining a singular way of seeing. It’s about movement, about change. I don’t want to pin things down; I want to move with them, to embrace uncertainty and fluidity. Each painting is a response to a moment, a feeling, or an encounter, an attempt to make the intangible visible. I follow the world’s currents, searching for the moments that draw me in, where I lose myself in their depth. In those moments, painting becomes more than an act; it becomes a way of being, a space where I can dissolve into the images that emerge.
