From the Angels in America series In cooperation with Oostpool Theatre Group  

Engaged art For art collectors ready to fast forward. For the social sensitives. For the curious and the founders. For pioneers. We are STAFF_ ROOM and we love to guide you in this exciting new era. We exclusively represent socially and politically engaged artists. We actively participate in the ephemeral process they go through and

The artists started off designing distorted pieces of furniture, for example with ‘A thousand years’, before extending their skills to penetrable environments, such as when the artist duo represented Luxembourg at the 2011 Venice Biennale with ‘Cercle Fermé’. The experiences that the artists offer us are never trivial. Even if someone visiting their installations is not alone,

“The professional” is a selection of work that documents a 2.5 year long experience staying in over 80 hotels throughout Europe and Asia. Due to the volatility of hotel rooms, Valewink decided to use them for this project. This work visualizes his search for balance between day and night, energy and relaxation. As a Manager

“Memory is not a faithful reproduction of past events but rather a mental faculty based on recollection-reconstruction processes.” In her photographic work, Simone Hoang responds, reconstructs and redefines images and memories in order to gain control of the intangible. Memories or the theme itself often play a roll in her work. By overprocessing, she clears

Photographer Max Kraanen is driven by a fascination for the role of fear in society; he explores how fear and threats affect us. He uses a variety of analogue and darkroom techniques to create his images. By stretching the photographic limits, he makes pictures that can be strangely aesthetic but often have a darker side. His

For their project ‘Hurry up and Wait’, the artists Tribble & Mancenido have travelled the United States in a year long trip, in which they captured the journeys and lives of American truck drivers. They assumed the role of both voyeur and subject, photographing and living out of their own eighteen-wheeler truck. Their work has