Fedrik Vaessen

Grasp of the Bonechanted
2025
wax, epoxy, epoxy clay, PLA, acrylic
72 x 34 x 41 cm
Carapace of the Golganacle
2025
wax, epoxy, epoxy clay, PLA, acrylic
60 x 24 x 22 cm
Pierced Through the Other Side of the World
2024
epoxy clay, epoxy, PLA, acrylic, valves, polyurethane
150 x 103 x 75 cm
I extract my sculptures from a future post-human world, organic and infused with technology, where hybrid beings worship mystical objects. Strange creatures navigate this ever-evolving landscape, clinging to their surroundings as if fused to them, trying to find new ways to survive.
In this world, everything is intertwined; buildings, creatures, machines and tools. They merge into one living, organic entity. There are no boundaries; it is an ambiguous zone where minds endure and, through connections, find ways to reshape their bodies. Powerful artifacts merge into sacred sites where the possibility of rebirth and transcendence exists. Everything is covered with a fragile yet diverse skin, ranging from decaying sections to shiny and hard textures. Numerous openings and passages distribute information through fluids into vulnerable internal chambers and abstract shells. The organism, in the final stage of existence, searches for immortality in an ever-changing world.
Grasp of the Bonechanted
2025
wax, epoxy, epoxy clay, PLA, acrylic
72 x 34 x 41 cm
Carapace of the Golganacle
2025
wax, epoxy, epoxy clay, PLA, acrylic
60 x 24 x 22 cm
Pierced Through the Other Side of the World
2024
epoxy clay, epoxy, PLA, acrylic, valves, polyurethane
150 x 103 x 75 cm